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Bauhaus Goes West: Modern Art and Design in Britain and America

Author/EditorPowers, Alan (Author)
ISBN: 9780500519929
Pub Date28/02/2019
BindingHardback
Pages304
Dimensions (mm)234(h) * 153(w)
An exploration of the Bauhaus school and its legacy in the context of the modernist period, including its wider influence on art, design, and education.
€29.34
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Availability: 1 In Stock
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Bauhaus Goes West is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy.

Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.

Bauhaus Goes West is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy.

Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.

Alan Powers is a widely published author specializing in 20th-century art and design, with an interest in expanding the canon and reshaping the interpretation of Modernism, especially in the British context. He has taught in several university schools of architecture, and has been active as an exhibition curator, conservationist and journalist. He has written a number of books on Ravilious including Ravilious and Co published by Thames & Hudson Ltd.

Introduction * 1. England and Germany * 2. Gropius Arrives * 3. Marcel Breuer * 4. Moholy-Nagy * 5. Finding English Modernism * 6. Other Bauhausler in Britain * 7. O my America! * 8. Conclusion

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